Two napkins with orange text: the left, a free-verse poem, the right, ideas on Absurdist Musical Theatre

A Sub-letter

Sub-letter Dear reader, I sat down at a café the other day. I like to do this in my free time, either to read or to write. It gets my brain juices flowing. Sometimes you have to get out of your house, you know? Unfortunately, this week, I had forgotten to take any form of […]

A Sub-letter Read More »

Test — Home

To be, or not to be, that is the question: Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles And by opposing end them. To die—to sleep, No more; and by a sleep to say we end The heart-ache and

Test — Home Read More »

Test — Kitchen

If it were done when ’tis done, then ’twere well It were done quickly: if the assassination Could trammel up the consequence, and catch With his surcease success; that but this blow Might be the be-all and the end-all here, But here, upon this bank and shoal of time, We’ld jump the life to come.

Test — Kitchen Read More »

A notecard detailing the "exclusive 'We'"

Letter 2: Exclusive “We”

Letter 2 TIME: Wednesday, December 14th, 2022; 1:35 p.m. TITLE: The Exclusive “We” Dear Reader, A short one today. I was going through my ANTINET when I came across this note that I took while reading Dani Snyder-Young’s “We’re All in This Together: Digital Performances and Socially Distanced Spectatorship.” It details the “exclusive ‘we’,” especially

Letter 2: Exclusive “We” Read More »

A Letter From Myself at 80

Where I actually wrote the letter. If I chose to write a letter from myself at 80 to me at 23, what would I write? I’m currently making my way through The Artist’s Way, by Julia Cameron. Although I’ve been following it chronologically, I’ve not really been following it week by week. That is to

A Letter From Myself at 80 Read More »

An Ode to the Notebook

Using a notebook to practice writing helps me hone the craft better than on a computer. Photo by Aaron Burden on Unsplash There’s an appeal to a blank page. What goes on it? How should the first page frame the (possibly) hundreds that come after? It’s also intimidating. That first page will shape the start of

An Ode to the Notebook Read More »